Every piece starts with a conversation. Bring an idea, a reference, a feeling — we shape it together before any ink touches paper.
Every design is drawn by hand, made for your body. You see it, we adjust it, and nothing is inked until it feels right.
One appointment, full attention. Private studio in Barcelona — clean work, honest pacing, breaks whenever you need them.
A tattoo is finished weeks later, not when you leave the chair. Aftercare guidance included — healed check-ins always welcome.
Each mirror is engraved by hand, one line at a time — no two alike. Commissions are open for mirrors and personal objects: the motif is drawn for you, then cut into the metal for good.
Tattoo
Vessel
We forget how powerful the body is. It's our only transportation in this life. When someone trusts me with a piece of it, I take that very seriously.
Together
Tattooing is fun. I work one-to-one to find your perfect fit — with another person, for another person. I see it as teamwork.
An impressionistic reading of figurative things. Something recognisable is usually there — translated through gesture.
If I'm not the right artist for your idea, I'll tell you honestly.
Placement
No two bodies are the same, so no two of my tattoos are. I draw each piece for your body — its movement, bone, scars and curves — so it fits only you. Like clothing made to measure for the skin.
I don't talk much
while I work.
Silence is
allowed here.
How it goes
VIAn idea or a flash, references, a photo of the area. If I'm not the right artist, I'll say so.
Two or three options, drawn for your body, the day before.
Private studio. Placement and stencil — about an hour before we start.
Second skin, what's normal, an open line. A month later I'll ask how it's going.
Vessel
We forget how powerful the body is. It's our only transportation in this life. When someone trusts me with a piece of it, I take that very seriously.
Together
Tattooing is fun. I work one-to-one to find your perfect fit — with another person, for another person. I see it as teamwork.
An impressionistic reading of figurative things. Something recognisable is usually there — translated through gesture.
If I'm not the right artist for your idea, I'll tell you honestly.
Placement
No two bodies are the same, so no two of my tattoos are. I draw each piece for your body — its movement, bone, scars and curves — so it fits only you. Like clothing made to measure for the skin.
I don't talk much
while I work.
Silence is
allowed here.
How it goes
VIAn idea or a flash, references, a photo of the area. If I'm not the right artist, I'll say so.
Two or three options, drawn for your body, the day before.
Private studio. Placement and stencil — about an hour before we start.
Second skin, what's normal, an open line. A month later I'll ask how it's going.